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Kendrick calls out his own double mindedness on “For Sale?”: “I loosely heard prayers on your first album truly / Lucy don’t mind, cause at the end of the day you’ll pursue me.” Lucy, short for Lucifer, is a stand-in for Satan. The track immediately after Kendrick’s “Sinner’s Prayer” intro details a lust-filled relationship with “Sherane.” Moral vacillation is characteristic of Kendrick’s work.
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You Lord Jesus for saving me with your precious blood / In Life / And that I may live for him from this day forth / Thank Sins / I believe that Jesus is Lord / I believe that you raised himįrom the dead / I will ask that Jesus will come to my life / Andīe my Lord and Savior / I receive Jesus to take control of my Lord God / I come to you a sinner / And I humbly repent for my 5 His certified platinum major label debut, good kid, m.A.A.d city, begins with a prayer:
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3 Amazingly, The Atlantic states his new album’s “larger target” is “inescapable human sin.” 4 By one count, Kendrick references Christianity an average of seventy-four times per full-length album. His work lends itself to theological analysis. Kendrick is an incredible lyricist who rose to the top via creativity, talent, and raw authenticity. Kendrick Lamar’s Damn sold 603,000 copies its first week his third Billboard #1 release. Yet, there are anomalies: twenty-four-year-old Chance the Rapper and thirty-year-old Kendrick Lamar. Hedonism and nihilism permeate hip hop’s current stars are preoccupied with girls, gold, and a good time. Hip hop music has often been “spiritually minded,” 2 but recent times saw less spiritual content. Nas and Jay-Z employed semiblasphemous statements and imagery. Wu-Tang, Brand Nubian, Rakim, Digable Planets, and Poor Righteous Teachers espoused Five Percent beliefs (a Nation of Islam sect). Paris, Public Enemy, and X-Clan advocated militant nationalism. In the ’90s, hip hop music was generally anti-Christian (see: Ras Kass). Another critically acclaimed rapper includes on his album interludes with expositions from Deuteronomy. Has secular hip hop “gone religious”? One platinum-selling artist gives performances on high-profile stages that resemble worship services.
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The full text of this article in PDF format can be obtained by clicking here. For further information or to subscribe to the Christian Research Journal please click here. This article first appeared in the Christian Research Journal, volume 40, number 06 (2017).